- Rasha Kotaiche
November
open the debate; the extent of the venacular photographer
(family etc) is it inherent to the work/or critical vehicle
explore politics/history of identity
is it a real album > staging
>family re-edit
>audience edit
archives
constructing
new dialogue
> questiong the domestic realm
>what do you know about "the archive"
>meta sandby
"not to be dismissed" "remember your roots"
observe the peoples reactions
Assumptions
reading incorrectly
how is it seen
test theaudience
play with the image
create the stereotypes
remember photography is the audience
realtionship with photography/ digital vs archivees/prints
methodology
mapping
challenge the grand narrative
sense of belonging
the white audience> write your experiences
community (arabsoc)
generations future gen
theres a hierarchy of narratives
whose stories get heard
whos more important
monitoring the women > revolution; their history
> frame through female voice or through another> family??
diaspora
create an activity
questions/match n mix images
the problems ; what do u want to know / understand
what do you gain looking at an archive
whatt about a personal archive
do you think its important to have
what else does an archive have to the identity of another
curate the table
question the audience
table of family images make up stories
what do you read in the images
connotations of the images
watch reactions to images + which
value differs across each person
each with their own experience
created my own sense of belonging + community
learning through images and stories rather than the person themself
due to distance, language barrier, death
whats the new narrative?
community as traditoon: high vs low context cultures
whats the central narrative
family values/traditions (in danger? due to mobility, migration)
archives keep tradition alive
why do we still have letters
how influential is "the place" on our growth
re-writing family narratives?
is there a central narrative or context that you're trying to explore?